In the Ilocos region of the northern Philippines, the typhoons come every year. Ilocos is north of where my family is from.
They come from the Pacific, tracking west across the warm water, and when they make landfall they bring winds and rain that overwhelm everything built to resist them. The rivers flood. The bamboo-and-stone dams that the farming cooperatives called zanjera have built across the swift-flowing rivers wash out — teepee-shaped structures called palomares, weighted with heavy stones, held against the current by lines of bamboo. Every year. The typhoon comes, and the dam goes, and in the morning there is no water for the fields.
And in the morning, the community gathers to rebuild it.
When the pandemic arrived in 2020, the mechanism briefly became visible. Schools closed. Childcare collapsed. Workers couldn't work. The invisible labor that the economy had always been assuming suddenly wasn't there, and suddenly it was impossible to ignore what the system had been depending on. The crisis passed. The assumption resumed. Most of the acknowledgment didn't survive the return to normal.
The thread runs from the zanjera farmers of Ilocos rebuilding the dam every morning after the typhoon, to Palmares governing twenty thousand people for a century, to the Valencia tribunal convening in the same plaza since the tenth century — all of it before Gramsci, before Kropotkin, before anyone had written the theory of what they were doing. Then: Gramsci theorizing the factory councils in Turin, Luxemburg writing from Breslau, Kropotkin counting glaciers in Siberia, Graeber building horizontal assemblies at the Quebec City protests, Bookchin watching Moses destroy the Bronx, Jacobs watching from the street, Öcalan reading in a Turkish prison, the Zapatistas building schools in Chiapas, the woman who plants the first tree in the Barcelona intersection before the debate is finished. Not a lineage — an architecture. The same insight about what works, arrived at independently, in different conditions, by different people, because the conditions required it and the alternative kept failing. Necromancy in commons form, even when the practitioners never met: the dead held what the living kept rediscovering. The same reach backward holds the Black radical tradition, and the abolitionists who built before there was a word for it — wherever a commons survives, the dead are keeping the door.
The restaurant was the other version. The hard one. The hard version feels like pitching a tent in a downpour. It has to be done and you know you can do it, but you will take any help you can get, you will make compromises you would not have to make under better conditions, and you will have to deal with the consequences when it is all over. The frame is not established. The aura is not free. The container has to be raised in weather that is actively trying to flatten it. Everything you build has to be built also as cover from what is coming down on top of you.